Actopolis: The Art of Action,
Goete-Institut & Urbane Kunste Ruhr ((Athina, Ankara/Mardin,Bukurest, Oberhauzen, Sarajevo, Zagreb and Beograd),
Belgrade City Museum, 2017,
www.actopolis.net

Still Life,
International Expanded Media Art Triennial 2016,
Pavilion " Cvijeta Zuzorić" (triennial organizing committee and curators: Marica Radojčić, Nikola Šuica, Nenad Glišić and Maja Beganović), Nikola Šuica’s theme: ‘Within the CityScape (Artistic marks of cities belonging))

The World Acccording To Me,
ON ARCHITECTURE: SCALE OF DESIGN FROM MICRO TO MACRO, december 2016,
Serbian Academy of Science and Art, Belgrade

Gaudeamus igitur: self-organized artist in the state of domestic agoraphobia,
FORMALLY INFORMAL BELGRADE SELF-ORGANIZED CULTURAL SCENE or THE ECONOMY OF INDEPENDENCE,
curator: Mirjana Boba Stojadinović, part of the transnational project ACTOPOLIS Gete-Institute and Urbane Kunst Ruhr (Athina, Ankara/Mardin, Bukurest, Oberhauzen, Sarajevo, Zagreb and Beograd, 2016
http://blog.goethe.de/actopolis/

This Gate Was Made Only For You,
ON ARCHITECTURE – REWORKING THE CITY THROUGH NEW ARCHITECTURE, STRAND – Sustainable Urban Society Association, Gallery of Science and Technology – Serbian Academy of Sciences and Arts, Đure Jakšića 2, Belgrade, 3-4 December 2015

The artist’s book This Gate Was made Only For You is about the very relation between architecture and book in terms of both the  form and the content. The form of a book as a codex with bind pages repeating the form of the door while the book’s content / narrative induces a spatial experience in the way that theturn of every page seems to be just another opening of the door and passing through until the reader comes to the last page / door after which the process (Der Prozess, Franz Kafka ) of the story ends.

Critics Have Chosen
KCB, Beograd, 2015

The 12th International Biennial of Miniature Art
Kulturni centar Gornji Milanovac, 2014

 “…Whether ’tis Nobler in the mind to suffer
The Slings and Arrows of outrageous Fortune,
Or to take Arms against a Sea of troubles…”
(“Hamlet”, Shakespeare)

 metal, Ø = 6.5 cm, 2013

Graphit
author of the concept of the exhibition: Gordana Kaljalović
Galerija Muzeja Železnice i Prodajna galerija Beograd, Beograd, 2013

Photo of the hidden room behind the panel in the exhibition space is rendered as graphite pan in Adobe Photoshop. The revealed space (one that is hidden by panel in order to level two walls) is the space of the Railway Museum. These exhibits are: usual railway equipment, but also models of the coach.

dimensions: 157×250 cm
technique: b/w print

Uncanny Landscapes
4th-8th March 2013, The Centre for Creative Collaboration, 16 Acton Street, London WC1X 9NG, 2013

I Love Other Artist’s Work Too (Ja volim i umetnost drugih)
with Milorad Mladenovic, Treći Beograd, Galerija savremene umetnosti Smederevo,
Smederevo, 2012

 Ja volim i umetnost drugih je projekat Umetničke zadruge Treći Beograd i podrazumeva organizovanje izložbe u Galeriji savremene umetnosti u Smederevu u trajanju od 10. aprila do 9. maja 2012. godine. Svaki član umetničke zadruge  obavezuje se da će izložiti dva umetnička rada, jedan lični umetnički rad i jedan umetnički rad nekog drugog umetnika po sopstvenom izboru...>>>>>>More

Variable Landscape
Gallery Otklon, Belgrade, 2010

author of the exhibitiont:  Gordana Kaljalović Odanović
Landscape Of Our Time, 2010
dimension: 4.2 m
technique:  print on canvas, drawings
Inversion of the sky and flags with motifs taken from Monet’s and Constable’s paintings raise the questions of side by side happening in nature and social environment.

Vizuelni znak i arhitektura,
Galerija savremene umetnosti, Centar za kulturu Pančevo, Pančevo, 2005

Closed Circuits
author of exhibition: Nikola Šuica, Belgrade, Auditory under the arcades at Residence of princess Ljubica (Sala pod svodovima Konaka Kneginje Ljubice), 2005

The 8th International Biennial of Miniature Art
Kulturni centar Gornji Milanovac, 2005

No Title, 2005.
encaustique, 10×15 cm

Povratak minijaturi
Galerija Grafički kolektiv, Beograd, 2000

Year:2001
Technique: cigaret paper on cigaret box
Dimension: 8x12x2 cm
Zoran Bozovic collection

Četvrto bijenale akvarela Jugoslavije
Zrenjanin 2001, Akvarel kao povod za slobodne umetničke transpozicije i  interpretacije, 2000

Drugo bijenale skica i projekata
Centar za vizuelnu kulturu “Zlatno oko”,  Novi Sad, 2000

One of a Kind Artist’s Book
Nicosia, Cyprus, 1999

Ars topiaria
Author of the exhibition: Bojana Burić, Moderna galerija Zrenjanin i FLU, Galerija FLU,  Beograd, 1997

Drugi jugoslivenski bijenale mladih
Konkordija, Vršac, 1996

Osećaj za večnost i prijemčivost za čudo nosi u sebi samo rano detinjstvo; zakoni fizike i matematike najčešće se pobrinu da sve objasne, a razočaranje da čuda, ustvari, nema (naročito ne iza ogledala), veoma brzo bude zaboravljeno). I ceo život više nije dovoljan da vrati trapavo ugušenu sposobnost prepoznavanja čuda i čula ponovo učini osetljivim za veliku misteriju. Jednom rešen analitički um , naoružan suviše velikim i odveć ambicioznim znanjem, da prirodu objasni egzaktnim (?) zakonom, uspeva da celokupnu poeziju ″kišnog luka na nebu″ (fr:l′arc-en-ciel, engl:rainbow, nem:regenbogen) svede na Njutnovu teoriju prelamanja svetlosti na sfernim površinama.
Kako rekonstruisati dugu detinjstva, bez mogućnosti da se ne misli na Njutna; kako se sećati, u nozdrvama registrovanog, lakog isparavanja kišnih kapi obasjanih ne-znam-odakle-sad suncem?Posvećeno Johnu Keatsu, jednom od najvećih engleskih romantičara, ″who drunk Newton′s health and confusion to mathematics″**.

*  Letters of John Keats,London, Oxford University Press, 1954.
**John Keats by Walter Jackson Bite, Oxford University Press, 1964.